Monday, April 30, 2012

Some Like It Red!

Sometimes having a brilliant idea comes in a instant.  However, giving life to that brilliant idea sometimes can take quite a while.  

For example, I remember reading that it took 8 years for Salma Hayek to be able gather all the money and collaborators necessary to make the movie Frida.  

My great idea came more than 3 years ago, when in a flash, I imagined how great it would be to create an image of a blue-eyed redhead wearing beautiful henna on her hands.

First I had to find the perfect redhead with sparkling blue eyes. Not a small feat, as I'm sure you can imagine.  Did you know there are a lot of redheads with pretty brown eyes?!

My search finally ended last summer, when one of my henna clients, — a lovely young woman named Lily —, came by my studio for another henna session, flaunting her gorgeous hennaed hair and her crystal clear blue eyesShe had just graduated from acting school and I knew she would be the perfect model for my henna project.

She was delighted at the thought of being able to play the henna muse and we tentatively schedule a date for sometime in the fall to do the henna and photo shoot, but because I still wasn't clear on what kind of design I wanted to create, I decided to postpone the project until I had more material.

More than 6 months would  pass before I started seeing clearly what kind of background I needed to use to get the contrast I wanted create, what kind of dress and accessories the model would wear to complement the henna, what kind of henna gloves I was going to design (mid or full gloves, fingerless, etc.), what angles I would shoot, what poses, what style, etc.  

This long creative process is often like working on a complicated puzzle where you work on building the contour first. And then you try to put together some same colored pieces together. Then slowly you've formed big chunks and manage to place them where they belong in the big picture, until suddenly everything come together to form the completed puzzle.

We finally got to reschedule the henna session and photo shoot in April. And I have to say, after 3 longs years, it was worth the wait!

Wednesday, February 8, 2012

Playing With Words

Remember that magnetic board project I mentioned a few posts ago ? Well, today I'm finally posting the overdue instructions on how to create one of your own.  But first a little story... 

Over a year ago, I bought a magnetic poetry kit for my daughter as a birthday gift, only to realize that the magnetic board they sell at various stores cost a little fortune and frankly, are not the prettiest suckers in the world. White board, bland, boring. Grey board, bland, boring. Not fit for a teen's funky room.

So I started thinking about a creative alternative. The kit contained 500 words so the board needed to be at least 16x20 inches, which would make it easy to place on any wall.  Weeks went by but I wasn't struck with any kind of ingenious idea.   So, in the meantime, I decided to get a poetry kit of my own thinking how much fun it would be to have a some poetry right smack in the middle of the hallway.

One day, as I was heading back home, I found 2 laminated picture frames placed in a box out on the sidewalk. They were obviously meant for trash and suddenly creative lightning struck at last. As I reached for them to have a closer look, I saw they would be the perfect size for the poetry kits that were waiting to be exposed. 

Like a giddy school girl, I strutted back home with my soon-to-be-fancy finds. I thought about what colour I wanted the boards to be and then I remembered reading something about magnetic paint and set out to find some at the hardware store. I was ready to start my magnetic board project.

STEP 1: Find a laminated board, preferably with a boring picture that way you won't feel any guilt when it comes time to splatter the thing with paint. You can pick the size you prefer. It could be one big one, like a 16x20 or 2 or 3 smaller ones like 8x10.

Laminated frames were all the rage in the 80's and 90s. I'm sure you could ask around and find someone who has one in their basement. With a little good timing and luck, you might even find one in the trash!

STEP 2: Clean the frame and surround the edges with masking tape. I used soap and water and then a few squirts of Windex. I know. I know. It was my excuse for being able to spray on a flat surface.

STEP 3: Take a paint brush and cover with magnetic paint. The product says 3 layers, but I wanted to apply a colored paint over the magnetic paint, so I went for 5 layers. I used a paint brush even though it's recommended to use a roller brush. But if I had to do this project again (which I won't. You know, been-there-done-that kinda thing!) I would use a roller just for the sake of creating a smoother surface.  

Let each coat dry well (about 1 to 1½ hour) between each new application.  And if you're planning to apply a coloured paint over the magnetic paint, let the latter dry thoroughly for about 24 hours.

Once you've applied all your magnetic and colored paint, gently remove the masking tape around the edges.

I would recommend that you wait a few days before placing the magnetic words on the board, particularly if you chose to cover the magnetic paint with colored paint.  If the colored paint hasn't hardened enough, you risk having the magnetic words stay stuck on the board and when you remove them, the colored paint will peel off.  Trust me... I speak from experience!


I have to say, having a poetry board in the hallway is a lot more fun than I expected.  Everybody who comes to my home stops right in front of it (well, it's not like they could miss it!) and can't help to start placing words together, creating peculiar and joyful poetry.


Monday, January 9, 2012

Tuesday, December 20, 2011

Bald. Bold. Beautiful.


Three words that describe so well the women wearing their henna crowns and which are also part of this wonderful book published by Henna Heals — a social purpose business offering henna crowns as an alternative to wigs and scarves, for people suffering from hair loss due to alopecia or cancer treatments.

The book is filled with beautiful henna photos taken by photographer, Frances Darwin — who is also the founder of Henna Heals —, as well as a few of my own henna portraits. The company is based in Toronto and the henna crowns are provided by three talented henna artists: Nadia Bukhari, Holly Monster and Tarquin Singh.

Monday, November 21, 2011

Sparkling Skin Jewel!

My latest glitter body art design.

Christmas parties are just around the corner and ladies want to sparkle, shine and scintillate!

A few days ago, a friend of mine who happens to be a true Spartan goddess posted on my FB wall: “Some girls are just born with glitter in their veins”.  I swear it must be true!

Monday, November 7, 2011

Tuesday, November 1, 2011

Black Bird Singing In The Dead Of Night

I met Suzanne for the first time in the summer of 2006. She arrived at my studio for her henna appointment carrying herself with great pride, in spite of her bald head caused by the chemotherapy treatment she was undergoing to fight breast cancer. 

During that first henna session, which was to become one of many, we talked about life and cancer; the shock of developing this disease at such a young age, the fight, the struggle, the pain, but also the little pieces of beauty one finds in between.  I was discovering a woman filled with a contagious energy, a deep love for Life, a great sense of humour and an unshakable strength.

In 2008, she accepted to pose for me for a henna portrait I wanted to do with her. I designed an elaborate butterfly on her chest and a few weeks later, the photo (titled When They Clipped My Wing / Transformation) was selected to be part of the Cancer Connection exhibit which toured across major Canadian cities from 2008 to 2010. 

A year after the exhibit started, Suzanne came back for another henna to celebrate her 40th birthday, but by that time the cancer had returned and was slowly spreading to the bones. We had a frank discussion about what this type of cancer meant, the advanced treatment available, the battle she was gearing up for and the hope that the henna portrait that was traveling across the country would not become a posthumous photo.

By the first week of October 2011, she was admitted to the hospital's palliative care unit. When I went to visit her, she seemed serene and in a place of acceptance about her imminent death, in spite of the great discomfort caused by the cancer that had reached her lungs and were slowly filling up with fluid. She told me about her dreams of a big black bird that remained by her side.  She didn't know what kind of bird it was, but she described it as being all black with a very long curved beak. After a little research, she discovered that the bird was a black ibis and was associated with the Egyptian god Thoth, who was most often depicted as a man with the head of an ibis.  In Egyptian mythology, Thoth was considered as “God of equilibrium” and was present once the soul went to the underworld.  Suzanne said ever since she had learned this, it brought her peace because she now knew there was something else after death.  Her greatest fear was that there wasn't.

A few days after my visit, she asked me if I would come back to henna her hands and feet. She wanted to be adorned with it one last time before her departure.  During our henna session at the hospital, we talked as usual about life but more about death, particularly how strange it was to know that you're leaving this earth.  She mused with humour about watching the entire first season of Game of Thrones, how she was really getting into it and waiting in anticipation for the next season, only to get frustrated at the thought that she wouldn't get to see it, because... well... as she bluntly put it: “Fuck! I won't be around anymore when the new season starts!” We couldn't help but laugh at the irony of it all.

She talked about how clear some things about herself had become, about how she always saw herself as someone who was strong, someone who could take it and then some, a warrior, a fighter. But she realized just how much she used her inner strength to “accept the unacceptable” in her life, to put up with things — and particularly people —, she should never have put up with in the first place. People who lacked kindness, consideration, respect and who often were just plain mean to her.  I couldn't help to think that strength is a double-edge sword and  how we chose to use it for ourselves and others makes all the difference in how we shape our lives.

She also talked about how often we miss the Beauty that surrounds us, how we pass right by it. There is so much of it. Right here. Right now. All the time. All we need to do is stop and see it, consider the lilies through every moment of Life's journey.

As I was looking in my agenda earlier today, I realized the day I went to henna Suzanne was October 10th. It was Thanksgiving Day. She passed away 13 days later, leaving behind her two daughters, — Alice,16 yrs and Jeanne, 20 yrs — as well as family and friends.  It feels so strange to know that she is gone even though I knew her end was near.  But I also feel a peaceful joy knowing that I had the privilege to be able to share those last moments with her, creating the kind of beauty that would accompany her during her final days, knowing just how much she loved henna and being aware that I was given the opportunity to adorn her one last time. It was my chance to say thank you and... goodbye.

Blackbird singing in the dead of night
Take the sunken eyes and learn to see
All your life
Your were only waiting for this moment to be free
Blackbird fly
Blackbird fly
Into the light of the dark black night.
              — Blackbird, The Beatles

Thursday, October 27, 2011

Like A Glittering Prize...

... I saw you up on a clear day...
Remember that song from Simple Minds? Everytime I create some glitter body art, I can't help but sing the song Glittering Prize. Here's my latest glitter body artwork.

Monday, October 24, 2011

Monday's Magnetic Poetry

A few weeks ago, I finished my magnet board project (DIY instructions coming soon!) and decided to place it in the hallway where everyone in my household who passes in front of it can create their own strange and unusual poetry.  Some of it is so poetically out there, I just couldn't resist to have a section for it on this blog!

Wednesday, October 12, 2011

The Making of Twiggy Tights

The Inspirations...
The idea for the Twiggy Tights all started when I saw my friend, Sarah, wearing a pair of bright yellow rain boots.  When I asked her where she had found them, she told me they were old boots that once belonged to her mother. As I was taking a closer look to admire the vintage style and the colour,  I started to think how great it would be to find some way to integrate them into a henna photo. Nothing really came up at the time, so I just let it go.

Many months later, I was walking back home and came across an alleyway where I saw this lovely blue brick wall.  I  stared at it for a long time trying to visualize how I could use it as a background for a photo shoot.  I didn't know what kind of design I would create, but I was sure that the colour of henna and the blueness of that wall would be a perfect combination.

Then some time later, my daughter came home with a pair of funky and colourful stockings she had just bought at a store.  Once I saw them on her legs, everything got connected in my brain: the tights, the blue wall and the yellow rain boots. I suddenly had a clear direction of what my next henna project was going to be.


The creative process...
So I started doing some research on styles found during the 60s and 70s; things like vintage fabrics, clothes, shoes, photography, jewelry, etc. I also looked into Twiggy fashion since I had associated the yellow boots with that era. Once I felt I had accumulated enough material, I started working on sketches, creating various floral patterns and trying to mix them with more traditional henna motifs.

Once I was happy with the final design, I started thinking about what I wanted the model to wear. For the Twiggy Tights photos,  I went to have a look at Sarah's closet.  After all, she was the one who would be my model. I figured since she had those fabulous boots, she might also have other goodies that could be used.  I ended up selecting a dark blue dress and several pair of shoes including the yellow boots that blended really well with the vintage feel I wanted the photos to have. 


What's a model to do?...
Ever wonder what a henna model does during a henna session, aside from standing, sitting or lying still for 10 hours?

   by Clarissa Pinkola Estès
Food: Salad, black berries, Pasta alla Gigi
   (prepared by the henna-artist!)
Naptime: approx. 50 minutes
Candies: Smarties
Movie: Milk,
   by Gus Van Sant, starring Sean Penn